| Getting Started |
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xi | |
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Working with the Interface |
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1 | (40) |
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2 | (1) |
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3 | (2) |
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Exploring the Project Window |
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5 | (7) |
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Exploring the Media and Effects Manager |
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12 | (9) |
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Searching for Audio Files |
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21 | (5) |
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Working with Files in the Timeline |
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26 | (4) |
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30 | (2) |
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Opening a File in the Waveform Editor |
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32 | (3) |
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35 | (1) |
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36 | (5) |
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Creating and Arranging a Multitrack Project |
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41 | (40) |
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42 | (1) |
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Working with a New Multitrack Project |
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42 | (5) |
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Exploring the Project Controls |
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47 | (7) |
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54 | (1) |
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Moving Tabs in the Project Window |
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55 | (1) |
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Working with Tracks in the Timeline |
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56 | (9) |
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Changing a Clip's Playback Mode |
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65 | (4) |
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Arranging Music in the Timeline |
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69 | (6) |
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Setting Project Preferences |
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75 | (2) |
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77 | (4) |
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Creating Suspense with Sound Design |
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81 | (38) |
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82 | (1) |
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Working with Video in Soundtrack Pro |
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83 | (9) |
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Planning a Scene's Sound Design |
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92 | (2) |
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94 | (8) |
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102 | (5) |
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Building Sound Effects Tracks |
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107 | (5) |
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Changing Track Names and Icons |
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112 | (2) |
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114 | (5) |
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Building Suspense with Editing Techniques |
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119 | (44) |
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120 | (1) |
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120 | (2) |
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Splitting a Clip in the Timeline |
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122 | (2) |
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Adjusting Clips with Precision in the Timeline |
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124 | (7) |
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Adding Foley Sound Effects |
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131 | (8) |
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Crafting Suspense with Music |
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139 | (11) |
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Overlapping Clips in the Timeline |
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150 | (5) |
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Creating a Master Timeslice |
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155 | (4) |
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159 | (4) |
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Designing Sound in the Waveform Editor |
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163 | (64) |
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164 | (2) |
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Creating an Audio File Project |
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166 | (4) |
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Exploring the Waveform Editor |
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170 | (12) |
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Processing Audio Files in the Waveform Editor |
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182 | (15) |
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Graphically Editing Audio Files |
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197 | (12) |
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Editing an Audio Waveform |
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209 | (14) |
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223 | (4) |
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Modifying and Repairing Dialog in the Waveform Editor |
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227 | (50) |
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228 | (1) |
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Working with Voiceover Recordings |
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229 | (11) |
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Working with Production Sound |
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240 | (15) |
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Analyzing Files in the Waveform Editor |
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255 | (8) |
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263 | (11) |
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274 | (3) |
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277 | (24) |
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278 | (1) |
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Planning Your Recording Session |
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278 | (3) |
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Exploring Both Recording Methods |
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281 | (11) |
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292 | (1) |
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Editing Recorded Files in the Timeline |
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293 | (5) |
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298 | (3) |
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301 | (46) |
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302 | (3) |
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305 | (5) |
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Understanding Basic Mixing |
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310 | (1) |
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311 | (11) |
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322 | (4) |
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Automating Volume Level and Pan Envelopes |
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326 | (11) |
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Recording Envelope Points in the Timeline and Mixer |
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337 | (6) |
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343 | (4) |
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Working with Audio Effects and Finishing the Mix |
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347 | (40) |
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348 | (1) |
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Working with Realtime Effects |
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348 | (11) |
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Working with Effects in the Mixer |
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359 | (7) |
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Automating Effect Parameters |
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366 | (5) |
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Working with Busses and Sends |
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371 | (6) |
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Adding Effects to the Project |
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377 | (2) |
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Setting the Overall Project Volume Level |
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379 | (5) |
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384 | (3) |
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Distributing and Managing Soundtrack Pro Files |
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387 | (40) |
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388 | (1) |
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Distributing Soundtrack Pro Projects |
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388 | (13) |
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Distributing Media Files with a Project |
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401 | (4) |
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Reconnecting Project Files |
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405 | (2) |
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Exporting Looping and Non-Looping Files |
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407 | (3) |
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Working with the Apple Loops Utility |
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410 | (10) |
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Adding Your New Files to the Soundtrack Pro Search Database |
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420 | (5) |
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425 | (2) |
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Advanced Editing, Mixing, and Sound Design Techniques |
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427 | (42) |
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428 | (2) |
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Scoring a Marker to the Playhead |
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430 | (6) |
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Understanding the Round Trip Workflow |
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436 | (1) |
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Automating the Master Envelopes |
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436 | (7) |
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Replacing Audio Files in the Timeline |
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443 | (3) |
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446 | (2) |
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Changing the Offset of an Audio Clip |
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448 | (2) |
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450 | (5) |
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Working with Multiple Outputs |
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455 | (6) |
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Setting Up Control Surfaces |
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461 | (4) |
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465 | (4) |
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Using Soundtrack Pro with Other Apple Pro Applications |
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469 | (22) |
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Using Soundtrack Pro with Final Cut Pro |
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470 | (5) |
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Saving a File as AppleScript |
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475 | (6) |
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Using Soundtrack Pro with Motion |
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481 | (4) |
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Using Soundtrack Pro with DVD Studio Pro |
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485 | (3) |
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488 | (3) |
| Appendix Final Cut Studio Workflows |
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491 | (1) |
| Index |
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492 | |
Other versions by this Author
