The Poetics and Politics of the American Gothic: Gender and Slavery in Nineteenth-century American Literature

When we start to discuss religion we run into controversial questions about history and anthropology, about the scope of scientific explanation, and about free will, good and evil. This book explains how to find our way through these disputes and shows how we can be freed from assumptions and prejudices which make progress impossible by deeper philosophical insight into the concepts involved. Books about religion usually concentrate on a few central Judaeo-Christian doctrines and either attack them or defend them with tenacious conservatism, yielding nothing. This book has a broader scope, and instead of trying to prove that religion, or any particular religion, is reasonable or unreasonable, it seeks to persuade people to be reasonable about religion.

Challenging the widely held assumption that gothic literature is mainly about fear, Agnieszka Soltysik Monnet argues that the American Gothic, and gothic literature in general, is also about judgment. Analyzing canonical works by Poe, Hawthorne, Melville, Gilman, and James, Monnet persuasively argues that these authors' concerns about slavery, gender, and sexuality tacitly inform works that deal explicitly with less controversial subjects.