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Summary
Table of Contents
Getting Started | |
Camera and Film | |
Loading Film into the Camera | |
Focusing and Setting the Exposure | |
Taking Your Picture | |
What Will You Photograph? | |
Camera | |
Basic Camera Controls | |
The Shutter | |
The Aperture | |
Using Shutter and Aperture Together | |
Choosing a Camera | |
Special-Purpose Cameras | |
Keeping the Camera Steady | |
Photographer at Work: Photojournalist James Nachtwey | |
Lens | |
From Pinhole to Lens | |
Lens Focal Length | |
Special-Purpose Lenses | |
Focusing Your Lens | |
Focus and Depth of Field | |
Perspective | |
How to Make a Close-up Photograph | |
Guidelines for Buying a Lens | |
Getting the Most from Your Camera and Lens | |
Light and Film | |
Selecting and Using Film | |
How Film Responds to Light | |
Using Filters | |
Photographer at Work: Another Angle on Sports-Walter Iooss | |
Exposure | |
Exposure Basics | |
How to Meter | |
Using Exposure | |
Developing the Negative | |
How to Process Black-and-White Roll Film | |
Processing Black-and-White Roll Film Step by Step | |
How Film Processing Affects Your Picture | |
Exposure and Development: Under, Normal, Over | |
Push Processing | |
Printing the Positive | |
Black-and-White Printing | |
Making a Black-and-White Print Step by Step | |
Evaluating Density and Contrast in a Print | |
Controlling Contrast | |
Dodging and Burning | |
Cropping | |
Archival Processing for Maximum Permanence | |
Toning for Color and Other Effects | |
Finishing and Mounting | |
Spotting to Remove Minor Flaws | |
Mounting a Print | |
Color | |
Color: Additive or Subtractive | |
Color Photographs: Three Image Layers | |
Choosing a Color Film | |
Exposure Latitude | |
Color Balance | |
Developing Color Film | |
Making a Color Print from a Negative | |
Making a Color Print from a Transparency | |
Photographer at Work: Advertising Photographer Chris Clemens | |
Digital Camera | |
A Computer with a Lens | |
Using a Digital Camera | |
Choosing a Digital Camera | |
Digital Darkroom | |
Digital Imaging: An Overview | |
Scanning a Photograph | |
The Digital Photograph | |
Working Memory, Storage, and Transmission | |
Your Work Area and Tools | |
Adjusting the Image Overall | |
Compositing | |
Other Adjustments | |
Printing and Display | |
Ethics and Digital Imaging | |
Using Digital Imaging | |
Photographer at Work: Merging Photography and Illustration-William Duke | |
Lighting | |
Direction of Light | |
Degree of Diffusion: From Hard to Soft Light | |
Available Light-Outdoors | |
Available Light-Indoors | |
Artificial Light | |
The Main Light: The Dominant Source | |
The Fill Light: To Lighten Shadows | |
Lighting with Flash | |
Simple Portrait Lighting | |
Multiple-Light Portrait Setups | |
Lighting Textured Objects | |
Lighting Reflective Objects | |
Lighting Translucent Objects | |
Using Lighting | |
Photographer at Work: Dance Photographer Lois Greenfield | |
Special Techniques | |
Copying Techniques | |
Pinhole Photography | |
Special Printing Techniques | |
Alternative Processes | |
View Camera | |
Inside a View Camera | |
View Camera Movements | |
Using a View Camera to Control the Image | |
Equipment You'll Need | |
What to Do First-and Next | |
Loading and Processing Sheet Film | |
Table of Contents provided by Publisher. All Rights Reserved. |
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