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Summary
Table of Contents
Contributors | p. xii |
Acknowledgements | p. xix |
Introduction | p. 1 |
What is performance studies? | p. 5 |
Performance studies: the broad spectrum approach | p. 7 |
Disciplines of the text: sites of performance | p. 10 |
The liminal-norm | p. 26 |
Professing performances: disciplinary genealogies | p. 32 |
Performance studies | p. 43 |
Performance studies in an age of terror | p. 56 |
What is performance? | p. 59 |
Performances: belief in the part one is playing | p. 61 |
Blurred genres: the refiguration of social thought | p. 66 |
What is performance? | p. 70 |
Life the movie | p. 76 |
Marina Abramovic: witnessing shadows | p. 78 |
Ritual | p. 87 |
Liminality and communitas | p. 89 |
"Performance" and other analogies | p. 98 |
"The blood that runs through the veins": the creation of identity and a client's experience of Cuban-American Santeria Dilogun divination | p. 107 |
Saint Orlan: ritual as violent spectacle and cultural criticism | p. 118 |
Performative commemoratives, the personal, and the public: spontaneous shrines, emergent ritual | p. 125 |
Play | p. 135 |
The nature and significance of play as a cultural phenomenon | p. 137 |
A theory of play and fantasy | p. 141 |
The ambiguity of play: rhetorics of fate | p. 152 |
Just doing | p. 159 |
Falling apart to stay together: deep play in the Grand Marais Mardi Gras | p. 164 |
Performativity | p. 175 |
How to do things with-words: lecture II | p. 177 |
Excerpt from "Signature Event Context" | p. 184 |
Performative acts and gender constitution: an essay in phenomenonology and feminist theory | p. 187 |
Introduction to Performativity and Performance | p. 200 |
Theater and anthropology, theatricality and culture | p. 208 |
Performing | p. 217 |
A dialogue about acting | p. 219 |
The actor's technique | p. 223 |
A dream of passion | p. 229 |
Presenting and re-presenting the self: from not-acting to acting in African performance | p. 231 |
Reconsidering Stanislavsky: feeling, feminism, and the actor | p. 249 |
Performance processes | p. 263 |
First attempts at a stylized theatre | p. 265 |
The oral artist: training and preparation | p. 274 |
The performance text | p. 280 |
The deep order called turbulence: the three faces of dramaturgy | p. 300 |
The archaeology of performance | p. 310 |
Global and intercultural performances | p. 321 |
Performing ethnography | p. 323 |
Of mimicry and man | p. 337 |
Culturas-in-extremis: performing against the cultural backdrop of the mainstream bizarre | p. 345 |
Reverend Billy: preaching, protest, and post-industrial flanerie | p. 357 |
Performance studies: interventions and radical research | p. 369 |
Translating performance | p. 381 |
Index | p. 337 |
Table of Contents provided by Ingram. All Rights Reserved. |
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