Foreword |
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ix | |
Preface |
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xi | |
Acknowledgments |
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xiii | |
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The Diverse Field of Music |
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Do you have what it takes? |
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19 | (20) |
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39 | (28) |
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The arranger/orchestrator |
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Production music libraries |
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Breaking into the industry |
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Organizations helpful to composers and songwriters |
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67 | (8) |
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Professional Organizations |
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75 | (10) |
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American Federation of Musicians of the United States and Canada (AFM) |
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Actor's Equity Association (AEA) |
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American Federation of Television and Radio Artists (AFTRA) |
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American Guild of Musical Artists (AGMA) |
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American Guild of Variety Artists (AGVA) |
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Screen Actors Guild (SAG) |
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The Songwriters Guild of America (SGA) |
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Nashville Songwriters Association, International (NSAI) |
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National Academy of Television |
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Arts and Sciences (NATAS) |
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Performing rights societies (ASCAP, BMI, SESAC) |
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Music Performance Trust Fund (MPTF) |
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The Popular Performer: Club Dates |
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85 | (20) |
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What it takes to be a club date musician |
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Instrumental combinations |
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105 | (22) |
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Becoming a recording artist |
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Professional organizations |
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127 | (30) |
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157 | (10) |
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Manufacturing and sales of instruments |
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Musical instrument repair technicians |
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Bibliography |
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167 | |