Museums and Source Communities : A Routledge Reader
by Brown, Alison K.; Peers, LauraPub. Date: 2003-06-26
Publisher(s): Taylor & Francis
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Summary
This volume combines some of the most influential published research in this emerging field with newly commissioned essays on the issues, problems and lessons involved in collaborating museums and source communities.
Table of Contents
| Museums and Contact Work Section Introduction | |
| Yup'ik elders in museums: fieldwork turned on its head | |
| The Object in View: Aborigines, Melanesians and Museums | |
| The Arts of the Sikh Kingdoms: Collaborating with a Community | |
| Integrating Native Views into Museum Procedures: Hope and Practice at the National Museum of the American Indian | |
| Talking Visual Histories Section Introduction | |
| Taking Photographs Home: the Recovery of Maori History | |
| Looking to See: Reflections on Visual Repatriation in the Purari Delta, Gulf Province, Papua New Guinea | |
| Remembering our Namesakes: Audience Reactions to Archival Film of King Island | |
| Snapshots on Dreaming: Photographs of the Past and Present | |
| Community Collaboration in Exhibitions Section Introduction | |
| How to Decorate a House: The Re-Negotiation of Cultural Representations at the University of British Columbia Museum of Anthropology | |
| Curating African Worlds | |
| Objects, Agency and Museums: Continuing Dialogues Between the Torres Straits and Cambridge | |
| Transforming Archaeology Through Practice: Strategies for Collaborative Archaeology and the Community Archaeology Project at Quseir | |
| Glenbow's Blackfoot Gallery: Working Towards Coexistence Gerard T Conaty Afterword: Beyond the Frame | |
| Table of Contents provided by Publisher. All Rights Reserved. |
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