Mangatopia : Essays on Manga and Anime in the Modern World

by ;
Format: Paperback
Pub. Date: 2011-10-24
Publisher(s): Libraries Unltd Inc
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Summary

While Japanese manga and anime began to make inroads in Western culture about three decades ago, these art forms remained a subcultural phenomenon until the mid-1990s, when the increased distribution of translated manga and anime brought them into the mainstream. In 2007, U.S. sales of manga reached $210 millionùevidence of a voracious and enthusiastic fan base.

Author Biography

Timothy Perper, PhD, was a review and commentary editor for Mechademia: An Annual Forum for Anime, Manga, and the Fan Arts for six years. His published work includes Libraries Unlimited's Graphic Novels Beyond the Basics: Insights and Issues for Libraries, a collection the coedited with Martha Cornog. A biologist by training, Perper is an independent scholar and writer who has written extensively about human courtship and romance for more than 30 years. Martha Cornog, MA, MLS, was a review and commentary editor for Mechademia: An Annual Forum for Anime, Manga, and the Fan Arts for six years. She has written the graphic novel column for Library Journal since 2006 and has been a reviewer for Library Journal for three decades. Cornog won the American Library Association's Eli M. Oboler Award for Intellectual Freedom, and her published work includes Libraries Unlimited's Graphic Novels Beyond the Basics: Insights and Issues for Libraries.

Table of Contents

Illustrationsp. xi
Acknowledgmentsp. xiii
Introduction to a Semiotic Revolution: It May Not Be Kansas Anymore, but It Is the Kansaip. xv
Art in Contexts
Chikae Ide, the Queen of Japanese Ladies' Comics: Her Life and Mangap. 3
Introductionp. 3
Her Early Daysp. 6
Ide's Debut in Girls' Comicsp. 7
Ide's Family Lifep. 10
Ladies' Comicsp. 11
Conclusionp. 17
Films on Paper: Cinematic Narrative in Gekigap. 21
Looking Away: The Pillow Shot in Cinemap. 22
Looking Around: The Aspect-to-Aspect Transitionp. 24
Cinematic Narrative in Mangap. 25
A Brief History of Gekigap. 26
The Aspect-to-Aspect Transition in Gekigap. 28
Films on Paperp. 33
Dr. Tezuka's Ontology Laboratory and the Discovery of Japanp. 37
Stories as Equipment for Livingp. 38
Geopolitics: What Is Japan?p. 39
The Ontology Labp. 40
Primordial Scenesp. 41
Parade of the Creaturesp. 43
Varieties of the Humanp. 44
Radiation and Artifice in the Building of Worldsp. 46
At the Core: Grief and Lossp. 47
Things to Come: Astro Boy and Beyondp. 49
Heirs and GracesùMoribito: Guardian of the Spirit in the Realm of Japanese Fantasyp. 53
Fantastic Frontiersp. 55
Beyond the Horizonp. 58
Folkloric Fantasyp. 61
Fanships and Art
Cosplay, Drag, and the Performance of Abjectionp. 71
Cos
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