Ingres; Art: smART

by Unknown
Format: Trade Paper
Pub. Date: 2005-10-01
Publisher(s): Vilo Intl
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Summary

Ingres is one of the most famous figures in all of French art. His Grande Odalisque, the Portrait of Caroline Riviere and the Turkish Bath have become icons of Western painting and are among the Louvre's biggest drawcards. Yet this most classical of 19th-century painters is also the most willfully complex: his work has always been a subject of heated debate and even today it offers a potent mix of the baffling and the fascinating.

Table of Contents

Introduction: A Paradoxical Modernity 7(5)
A Youth Maverick
12(40)
Raised Amid Red Chalk
14(4)
The ``Pure Greek Manner''
18(6)
Dissidence
24(12)
Portraits I
36(12)
Gothic, primitive, barbarous
48(4)
Ingres in Italy: The Decisive Years
52(108)
``I Would Willingly be the Required Revolutionary''
54(4)
Academic Nudes
58(8)
Anomalies
66(2)
``All the Splendid Sumptuousness of Art''
68(6)
Ossian and Virgil
74(15)
``Never Sufficiently Supple and Long''
89(9)
Anecdotal Genre Painting and the Troubadour Style
98(18)
Raphael and La Fornarina's Turban
116(4)
Portraits II
120(24)
Religious Subjects
144(16)
The Paris Career
160(46)
The 1824 Salon
162(4)
A Painting/Manifesto
166(8)
Painting in Pieces
174(8)
Monsieur Bertin, or the Portrait of an Epoch
182(6)
Return to the Villa Medicis
188(4)
The Most Beautiful Human Flower
192(10)
A Historical Miniature
202(2)
This Absurd Use of Color
204(2)
The Golden Fruit
206(40)
Nudes, and Nothing but Nudes!
208(8)
Portraits III
216(12)
Venus and the Grisette
228(6)
The Apotheosis of Ingres
234(12)
From Harem to Brothel
246

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