Developing Zeami : The Noh Actor's Attunement in Practice
by QUINN, SHELLEY FENNOFormat: Hardcover
Pub. Date: 2005-06-30
Publisher(s): Univ of Hawaii Pr
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Summary
The great noh actor, theorist, and playwright Zeami Motokiyo (ca.1363-1443) is one of the major figures of world drama.
Author Biography
Shelley Fenno Quinn is associate professor of Japanese in the Department of East Asian Languages and Literatures at The Ohio State University
Table of Contents
| Acknowledgments | p. ix |
| Introduction | p. 1 |
| Abbreviations | p. 23 |
| Zeami's Shift in Representational Styles | |
| The Social Context of Zeami's Secret Treatises | p. 27 |
| Developing Zeami's Representational Style | p. 43 |
| Fierce Moons, Gentle Demons: From Ends to Means | p. 83 |
| Zeami's Literary Turn | |
| Composing the Text | p. 115 |
| Zeami's Theory in Practice: An Analysis of the Waki Play Takasago | p. 147 |
| The Actor's Attunement and Nikyoku Santai | |
| Actor and Audience | p. 201 |
| Mind and Technique: The Two Modes in Training | p. 239 |
| Coda | p. 285 |
| An Annotated Translation of Sando | p. 291 |
| An Annotated Translation of Takasago | p. 303 |
| Notes | p. 321 |
| Character Glossary | p. 417 |
| Selected Bibliography | p. 435 |
| Table of Contents provided by Ingram. All Rights Reserved. |
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