
Developing Zeami : The Noh Actor's Attunement in Practice
by QUINN, SHELLEY FENNO-
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Summary
Author Biography
Table of Contents
Acknowledgments | p. ix |
Introduction | p. 1 |
Abbreviations | p. 23 |
Zeami's Shift in Representational Styles | |
The Social Context of Zeami's Secret Treatises | p. 27 |
Developing Zeami's Representational Style | p. 43 |
Fierce Moons, Gentle Demons: From Ends to Means | p. 83 |
Zeami's Literary Turn | |
Composing the Text | p. 115 |
Zeami's Theory in Practice: An Analysis of the Waki Play Takasago | p. 147 |
The Actor's Attunement and Nikyoku Santai | |
Actor and Audience | p. 201 |
Mind and Technique: The Two Modes in Training | p. 239 |
Coda | p. 285 |
An Annotated Translation of Sando | p. 291 |
An Annotated Translation of Takasago | p. 303 |
Notes | p. 321 |
Character Glossary | p. 417 |
Selected Bibliography | p. 435 |
Table of Contents provided by Ingram. All Rights Reserved. |
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