Caribbean Currents : Caribbean Music from Rumba to Reggae

by ; ;
Edition: Revised
Format: Hardcover
Pub. Date: 2006-03-28
Publisher(s): Temple Univ Pr
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Summary

Caribbean Currentspresents an engaging panorama of the rich and diverse musics of the Caribbean region. This expanded and updated edition of the award-winning book covers recent developments in the region's music, such as the emergence of reggaetoacute;n and timba and includes a new and extensive study of Jamaican dancehall. Among the other additions are twenty-seven illustrations. The authors cover the historical development and current forms of the musics of Cuba, Puerto Rico, the Dominican Republic, Jamaica, Trinidad, the French Caribbean, the lesser Antilles, and their transnational communities in the United States and elsewhere. They also succinctly and perceptively situate the musical music styles and developments in the context of themes of gender and racial dynamics, socio-political background, and diasporic dimensions. Written in a style that is at once readable, entertaining, and scholarly,Caribbean Currentsis an ideal resource for students, musicians, and general readers.

Table of Contents

Preface to the Second Edition ix
The Caribbean at a Glance xiii
Introduction: The Caribbean Crucible
1(18)
The Indian Heritage
3(3)
The African Heritage
6(4)
Patterns of Musical Retention
10(2)
The European Heritage
12(2)
Crcolization
14(4)
Bibliography
18(1)
Cuba
19(46)
A Day in Havana, 1986
19(2)
The Cuban Crucible
21(1)
African-Derived Musics
22(5)
Rumba
27(3)
A Music Festival in Santiago de Cuba
30(3)
European-Derived Musics
33(10)
The Son and Modern Cuban Dance Music
43(11)
``Socialism with Pachanga''
54(5)
The ``Special Period'' and Its Special Music
59(2)
Coda: Revisiting Havana---and Miami, 2004
61(2)
Bibliography
63(1)
Records and Films
63(2)
Puerto Rico
65(23)
Cuba and Puerto Rico: ``The Two Wings of the Same Bird''
66(1)
European-Derived Musics
67(6)
The Fiesta de Santiago Apostol at Loiza Aldea
73(4)
Plena and Bomba in the Dance Hall
77(3)
Music and the Puerto Rican Diaspora
80(5)
Puerto Rico Rocks and Raps
85(1)
Bibliography
86(1)
Records and Films
86(2)
Salsa and Beyond
88(28)
The Son Sires a Son
88(7)
Ruben Blades: The Cutting Edge
95(4)
Style and Structure
99(1)
The Salsa Life
100(6)
Salsa Lite?
106(4)
Latin Rap and Reggaeton
110(3)
Nueva Cancion
113(2)
Bibliography
115(1)
Records and Films
115(1)
The Dominican Republic
116(25)
The Merengue Tipico
118(3)
The Merengue as National Symbol
121(2)
The Modern Merengue
123(3)
The Merengue Explosion
126(4)
Merengue Style and Dance
130(2)
Bachata: Songs of Bitterness, Songs of Love
132(3)
Juan Luis Guerra
135(3)
The Return of the Repressed
138(2)
Bibliography
140(1)
Records and Films
140(1)
Haiti and the French Caribbean
141(36)
Music in the Streets of Port-au-Prince
141(1)
Haitian Cultural Crossroads
142(3)
Creolization in Haiti: Language
145(1)
Creolization in Haiti: Religion
146(5)
Carnival and Rara
151(5)
Misik Twoubadou
156(1)
Haitian Dance Music
157(5)
Politics and the Haitian Diaspora
162(3)
Contemporary Haitian Popular Music
165(2)
Misik Rasin, Rap, and Ragga
167(3)
Music in the Lesser Antilles: Martinique, Guadeloupe, Dominica, and St. Lucia
170(5)
Bibliography
175(1)
Records
176(1)
Jamaica
177(39)
Kumina Culture, 1976
177(6)
Roots Music in the Mid-Twentieth Century
183(4)
Music inna Downtown Style: Recording the Unrecorded
187(4)
Roots and Culture: Downtown Triumphant
191(3)
Rasta and Revolution
194(5)
The End of an Era and the Dawn of a New One: From Reggae to Ragga
199(3)
Tellin' It Like It Is, from ``Consciousness'' to ``Slackness''
202(4)
Female Degradation or Liberation?
206(2)
Love Music---or Hate Music?
208(2)
Sound Systems and Sound Clashes
210(3)
Dancehall inna Foreign
213(2)
Bibliography
215(1)
Records
215(1)
Trinidad, Calypso, and Carnival
216(33)
The Development of Calypso and Carnival
218(2)
Calypso in Colonialism
220(7)
Modern Calypso and Carnival
227(4)
Woman Rising
231(4)
The Carnival Context
235(5)
Steel Band
240(5)
Calypso and Carnival outside Trinidad
245(2)
Bibliography
247(1)
Records and Films
248(1)
East Indian Music and Big Sounds from the ``Small Islands''
249(22)
East Indians in the West Indies
249(12)
Small Island Traditions
261(8)
Indo-Caribbean Bibliography
269(1)
Indo-Caribbean Records and Film
270(1)
Small Island Bibliography
270(1)
Small Island Recordings
270(1)
Five Themes in the Study of Caribbean Music
271(20)
Unity and Diversity in a Continent of Islands
271(2)
Race and Ethnicity
273(5)
Music, Sex, and Sexism
278(5)
Caribbean Music International
283(4)
Music and Politics
287(4)
Notes 291(8)
Glossary 299(12)
Index 311

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