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Summary
David Galenson's work on the history of art is a unique fusion of econometrics and cultural analysis that is unprecedented in the literature on creativity in any discipline, whether economics, psychology, literary studies or art history.
Table of Contents
List of illustrations | p. ix |
Preface | p. xii |
The life cycles of modern painters: evidence from art historians | p. 1 |
Quantifying artistic success: ranking French painters - and paintings - from Impressionism to Cubism | p. 3 |
Measuring masters and masterpieces: French rankings of French painters and paintings from Realism to Surrealism | p. 23 |
Was Jackson Pollock the greatest modern American painter? A quantitative investigation | p. 46 |
The New York School vs. the School of Paris: who really made the most important art after World War II? | p. 64 |
The life cycles of modern painters: evidence from auction markets | p. 85 |
The market evaluation of fine art: the case of modern painting | p. 87 |
The life cycles of modern artists | p. 95 |
Markets and artists' behavior | p. 105 |
Masterpieces and markets: why the most famous modern paintings are not by American artists | p. 107 |
The reappearing masterpiece: ranking American artists and art works of the late twentieth century | p. 126 |
Life cycles of artistic creativity: beyond painting | p. 143 |
Literary life cycles: measuring the careers of modern American poets | p. 145 |
A portrait of the artist as a young or old innovator: measuring the careers of modern novelists | p. 171 |
A portrait of the artist as a very young or very old innovator: creativity at the extremes of the life cycle | p. 206 |
Notes | p. 243 |
References | p. 267 |
Index | p. 281 |
Table of Contents provided by Ingram. All Rights Reserved. |
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