Preface and Acknowledgements |
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xxv | |
A note on the Presentation and Editing of Texts |
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xxvi | |
General Introduction |
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1 | (10) |
I The Legacy of Symbolism |
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11 | (4) |
IA Classicism and Originality |
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15 | (44) |
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from Eugene Delacroix to Neo-Impressionism 1899 |
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15 | (3) |
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18 | (3) |
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21 | (7) |
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from Sex and Character 1903 |
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28 | (2) |
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`Imagination in Painting' 1904 |
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30 | (3) |
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Letter to Emile Bernard 1904--1906 |
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33 | (3) |
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From Letters on Cezanne 1907 |
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36 | (3) |
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39 | (7) |
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`From Gauguin and Van Gogh to Neo-Classicism' 1909 |
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46 | (5) |
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`The Mediums of Art, Past and Present' 1904 |
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51 | (7) |
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`Mystery and Creation' 1913 |
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58 | (1) |
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IB Expression and the Primitive |
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59 | (73) |
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`The Beauty of Form and Decorative Art' 1897--8 |
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59 | (3) |
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`Paragraphs from the Studio of a Recluse' 1905 |
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62 | (1) |
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Letters to Vlaminck c. 1905--1909 |
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63 | (2) |
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Programme of the Brucke 1906 |
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65 | (1) |
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from Abstraction and Empathy 1908 |
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66 | (3) |
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`Notes of a Painter' 1908 |
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69 | (6) |
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`An Essay in Aesthetics' 1909 |
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75 | (7) |
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from Concerning the Spiritual in Art 1911 |
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82 | (7) |
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89 | (4) |
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`The ``Savages'' of Germany' and `Two Pictures' 1912 |
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93 | (2) |
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95 | (1) |
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96 | (1) |
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`On the Nature of Visions' 1912 |
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97 | (2) |
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99 | (3) |
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102 | (5) |
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`The Aesthetic Hypothesis' 1914 |
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107 | (3) |
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110 | (6) |
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116 | (5) |
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from Artistry of the Mentally Ill 1922 |
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121 | (11) |
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II The Idea of the Modern World |
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127 | (5) |
IIA Modernity |
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132 | (52) |
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`The Metropolis and Mental Life' 1902--3 |
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132 | (4) |
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`Asceticism and the Spirit of Capitalism' 1904--5 |
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136 | (2) |
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`Party Organization and Party Literature' 1905 |
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138 | (3) |
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from Creative Evolution 1907 |
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141 | (3) |
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`Nature and Culture' 1908 |
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144 | (2) |
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`The Foundation and Manifesto of Futurism' 1909 |
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146 | (4) |
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Filippo Tommaso Marinetti |
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`Futurist Painting: Technical Manifesto' 1910 |
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150 | (2) |
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`On the Construction of Reality in Pure Painting' 1912 |
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152 | (2) |
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from Art and Social Life 1912 |
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154 | (4) |
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Georgy Valentinovich Plekhanov |
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158 | (1) |
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`Contemporary Achievements in Painting' 1914 |
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159 | (3) |
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162 | (1) |
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`Gaudier-Brzeska Vortex' 1914, and `Vortex Gaudier-Brzeska' 1915 |
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163 | (4) |
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`Instructions for Painting Pictures of the Metropolis' 1914 |
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167 | (4) |
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from `In These Great Times' 1914 |
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171 | (2) |
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from Cubism and Futurism to Suprematism: The New Realism in Painting 1915--16 |
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173 | (11) |
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IIB Cubism |
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184 | (42) |
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184 | (1) |
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185 | (1) |
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`On the Subject in Modern Painting' 1912 |
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186 | (1) |
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`The New Painting: Art Notes' 1912 |
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187 | (1) |
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from The Cubist Painters 1912 |
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188 | (2) |
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`Present Tendencies in Painting' 1912 |
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190 | (4) |
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194 | (7) |
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`The Origins of Painting and its Representational Value' 1913 |
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201 | (4) |
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`The Bases of the New Creation' 1913 |
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205 | (3) |
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from The Rise of Cubism 1916--20 |
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208 | (6) |
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`Thoughts on Painting' 1917 |
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214 | (1) |
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215 | (11) |
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III Rationalization and Transformation |
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221 | (5) |
IIIA Neo-Classicism and the Call to Order |
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226 | (24) |
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226 | (2) |
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`The New Spirit and the Poets' 1918 |
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228 | (2) |
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from The Decline of the West 1918 |
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230 | (2) |
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232 | (4) |
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`Tradition and Cubism' 1919 |
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236 | (1) |
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`The Return to the Craft' 1919 |
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236 | (3) |
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239 | (3) |
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Charles Edouard Jeanneret (Le Corbusier) |
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242 | (3) |
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245 | (1) |
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`The Children of the New Epoch' 1921 |
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245 | (1) |
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Reply to a Questionnaire 1921 |
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246 | (1) |
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`Reply to a Questionnaire' 1922 |
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247 | (3) |
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Gustav Friedrich Hartlaub |
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IIIB Dissent and Disorder |
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250 | (26) |
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`Dada Fragments' 1916--17 |
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250 | (2) |
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`The Richard Mutt Case' 1917 |
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252 | (1) |
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`Dada Manifesto 1918' 1918 |
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252 | (5) |
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`First German Dada Manifesto' 1918 |
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257 | (2) |
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`What is Dadaism and what does it want in Germany?' 1919 |
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259 | (1) |
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260 | (3) |
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`The Decline of Humanism' 1918 |
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263 | (2) |
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Novembergruppe Draft Manifesto 1918 and `Guidelines' 1919 |
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265 | (2) |
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Novembergruppe Opposition `Open Letter to the Novembergruppe' 1921 |
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267 | (2) |
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Reply to Arbeitsrat fur Kunst Questionnaire 1919 |
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269 | (1) |
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`Creative Credo' 1918--20 |
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270 | (1) |
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271 | (1) |
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272 | (2) |
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`Thank you, Francis!' 1923 |
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274 | (2) |
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IIIC Abstraction and Form |
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276 | (57) |
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Introduction to a Catalogue 1915 |
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276 | (1) |
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277 | (1) |
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from `Art as Technique' 1917 |
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277 | (4) |
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281 | (1) |
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from Principles of Neo-Plastic Art 1915--25 |
|
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281 | (3) |
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`Dialogue on the New Plastic' 1919 |
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284 | (5) |
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Neo-Plasticism: The General Principle of Plastic Equivalence 1920--1 |
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289 | (3) |
|
|
`Non-Objective Art and Suprematism' 1919 |
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292 | (1) |
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The Question of Imitative Art 1920 |
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293 | (5) |
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`The Realistic Manifesto' 1920 |
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298 | (2) |
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|
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Unovis `Programme of a United Audience in Painting of the Vitebsk State Free Workshops' 1920 |
|
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300 | (2) |
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`Plan for the Physico-psychological Department of the Russian Academy of Artistic Sciences' 1921 |
|
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302 | (2) |
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|
`Analyses of the Old Masters' 1921 |
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304 | (2) |
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306 | (3) |
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`The Theory and Organization of the Bauhaus' 1923 |
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309 | (5) |
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`Declaration of the International Fraction of Constructivists of the First International Congress of Progressive Artist' 1922--3 |
|
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314 | (2) |
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|
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`What is legitimately called the New Art...' 1924 |
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316 | (1) |
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|
`A. and Pangeometry' 1925 |
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317 | (4) |
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|
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321 | (2) |
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from The Dehumanization of Art 1925 |
|
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323 | (10) |
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IIID Utility and Construction |
|
333 | (29) |
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KOMFUT `Programme Declaration' 1919 |
|
|
333 | (1) |
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`The Initiative Individual in the Collective' 1919 |
|
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334 | (1) |
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|
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335 | (1) |
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`The Monument to the Third International' 1920 |
|
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336 | (3) |
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`Slogans' and `Organizational Programme' 1920--1 |
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339 | (2) |
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`Programme of the First Working Group of Constructivists' 1922 |
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341 | (2) |
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|
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343 | (1) |
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|
Statement by the editors of Veshch 1922 |
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344 | (1) |
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|
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LEF editorial `Whom is LEF alerting?' 1923 |
|
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345 | (2) |
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`The So-Called ``Formal Method'' 1923 |
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347 | (1) |
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`From Picture to Calico-Print' 1924 |
|
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348 | (4) |
|
|
`Report of the Section for Material Culture's Research Work' 1924 |
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352 | (10) |
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IV Freedom, Responsibility and Power |
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|
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357 | (5) |
IVA The Modern as Ideal |
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362 | (40) |
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362 | (7) |
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from Foundations of Modern Art 1928 |
|
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369 | (2) |
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`On the Aims of Art' 1931 |
|
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371 | (3) |
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Editorial Statements 1932 and 1933 |
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374 | (2) |
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376 | (2) |
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On the concept of the `archetype' 1934 and 1938 |
|
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378 | (3) |
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|
from Cubism and Abstract Art 1936 |
|
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381 | (2) |
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Statements to Teriade 1936 |
|
|
383 | (1) |
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`The Constructive Idea in Art' 1937 |
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384 | (3) |
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|
`Plastic Art and Pure Plastic Art' 1937 |
|
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387 | (6) |
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|
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393 | (3) |
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|
American Abstract Artists Editorial Statement 1938 |
|
|
396 | (1) |
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`On Inventing Our Own Art' 1938 |
|
|
397 | (1) |
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|
`Notes on Abstract Art' 1941 |
|
|
398 | (4) |
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IVB Realism as Figuration |
|
402 | (40) |
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`On Proletarian Culture' 1920 |
|
|
402 | (1) |
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|
|
403 | (1) |
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AKhRR `The Immediate Tasks of AKhRR' 1924 |
|
|
404 | (2) |
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`A Declaration of Social, Political and Aesthetic Principles' 1922 |
|
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406 | (1) |
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|
Red Group `Manifesto' 1924 |
|
|
407 | (1) |
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`The Object is Primary' 1927 |
|
|
408 | (1) |
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|
ARBKD (Asso) `Manifesto' and `Statutes' 1928 |
|
|
408 | (3) |
|
|
411 | (1) |
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|
from The Myth of the Twentieth Century 1930 |
|
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412 | (1) |
|
|
``Tendency'' or Partisanship?' 1932 |
|
|
413 | (4) |
|
|
Central Committee of the All-Union Communist Party `Decree on the Reconstruction of Literary and Artistic Organizations' 1932 |
|
|
417 | (1) |
|
John Reed Club of New York `Draft Manifesto' 1932 |
|
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418 | (3) |
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`The Revolutionary Spirit in Modern Art' 1932 |
|
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421 | (3) |
|
|
`Manifesto of Mural Painting' 1933 |
|
|
424 | (2) |
|
|
`Speech to the Congress of Soviet Writers' 1934 |
|
|
426 | (3) |
|
|
`Towards a Transformation of the Plastic Arts' 1934 |
|
|
429 | (2) |
|
|
`Abstract Painting in America', `Contradictions in Abstractions' and `A Medium of 2 Dimensions' 1935 |
|
|
431 | (4) |
|
|
|
from Revolt Against the City 1935 |
|
|
435 | (2) |
|
|
`Content and Form in Art' 1935 |
|
|
437 | (2) |
|
|
Speech Inaugurating the `Great Exhibition of German Art' 1937 |
|
|
439 | (3) |
|
IVC Realism as Critique |
|
442 | (64) |
|
from Literature and Revolution 1922--3 |
|
|
442 | (5) |
|
|
from the First Manifesto of Surrealism 1924 |
|
|
447 | (6) |
|
|
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453 | (3) |
|
|
`Declaration of the Bureau de Recherche Surrealistes' 1925 |
|
|
456 | (1) |
|
|
Surrealism and Painting 1928 |
|
|
457 | (6) |
|
|
from the `Second Manifesto of Surrealism' 1929 |
|
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463 | (4) |
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|
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467 | (3) |
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|
|
`Photography versus Painting' 1926 |
|
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470 | (3) |
|
|
`We Are Searching' and `We Raise the Alarm' 1927 |
|
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473 | (4) |
|
|
from `The Mass Ornament' 1927 |
|
|
477 | (3) |
|
|
October (Association of Artistic Labour) `Declaration' 1928 |
|
|
480 | (2) |
|
from `Critical Dictionary' 1929--30 |
|
|
482 | (2) |
|
|
`The Lugubrious Game' 1929 |
|
|
484 | (2) |
|
|
|
486 | (3) |
|
|
`Photomontage as a New Problem in Agit Art' 1931 |
|
|
489 | (2) |
|
|
`What is Surrealism?' 1934 |
|
|
491 | (2) |
|
|
`The Author as Producer' 1934 |
|
|
493 | (6) |
|
|
`Popularity and Realism' 1938 |
|
|
499 | (3) |
|
|
`The New Realism Goes On' 1937 |
|
|
502 | (4) |
|
IVD Modernism as Critique |
|
506 | (56) |
|
|
506 | (1) |
|
|
`Conversation with Picasso' 1935 |
|
|
507 | (3) |
|
|
`What is Revolutionary Art?' 1935 |
|
|
510 | (4) |
|
|
`The Social Bases of Art' 1936 |
|
|
514 | (4) |
|
|
from Aesthetic Function 1934/6 |
|
|
518 | (2) |
|
|
`The Work of Art in the Age of Mechanical Reproduction' 1936 |
|
|
520 | (7) |
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|
|
527 | (3) |
|
|
`Discussing Expressionism' 1938 |
|
|
530 | (2) |
|
|
`Towards a Free Revolutionary Art' 1938 |
|
|
532 | (4) |
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|
|
|
`Good Art and Bad Art' 1938 |
|
|
536 | (3) |
|
|
`Avant-Garde and Kitsch' 1939 |
|
|
539 | (10) |
|
|
|
549 | (13) |
|
V The Individual and the Social |
|
|
|
557 | (5) |
VA The American Avant--Garde |
|
562 | (33) |
|
`Towards a Newer Laocoon' 1940 |
|
|
562 | (6) |
|
|
|
568 | (1) |
|
|
|
|
Answers to a Questionnaire 1944 |
|
|
569 | (1) |
|
|
Two Statements 1947 and 1947/8 |
|
|
570 | (1) |
|
|
`The Romantics were Prompted...' 1947 |
|
|
571 | (2) |
|
|
|
573 | (1) |
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|
|
573 | (1) |
|
|
`The Ideographic Picture' 1947 |
|
|
573 | (1) |
|
|
`The First Man was an Artist' 1947 |
|
|
574 | (3) |
|
|
`The Decline of Cubism' 1948 |
|
|
577 | (3) |
|
|
`The Sublime is Now' 1948 |
|
|
580 | (2) |
|
|
|
582 | (1) |
|
|
Interview with William Wright 1950 |
|
|
583 | (3) |
|
|
`Aesthetics, the Artist and the Audience' 1952 |
|
|
586 | (2) |
|
|
|
588 | (1) |
|
|
from `The American Action Painters' 1952 |
|
|
589 | (3) |
|
|
Letter to Gordon Smith 1959 |
|
|
592 | (3) |
|
VB Individualism in Europe |
|
595 | (45) |
|
Wols Aphorisms c.1945--51 |
|
|
595 | (5) |
|
from Existentialism and Humanism 1946 |
|
|
600 | (3) |
|
|
`Notes for the Well-Lettered' 1946 |
|
|
603 | (2) |
|
|
`Crude Art Preferred to Cultural Art' 1949 |
|
|
605 | (3) |
|
|
from Van Gogh: The Man Suicided by Society 1947 |
|
|
608 | (3) |
|
|
`The Search for the Absolute' 1948 |
|
|
611 | (5) |
|
|
from Three Dialogues 1949 |
|
|
616 | (4) |
|
|
|
`The Mirror-Phase as Formative of the Function of the I' 1949 |
|
|
620 | (4) |
|
|
Abstraction and Adventure in Contemporary Art' 1950 |
|
|
624 | (1) |
|
|
`Reflections on the Statuettes, Figures and Paintings of Alberto Giacometti' 1951 |
|
|
625 | (1) |
|
|
`Creation and Revolution' 1951 |
|
|
626 | (3) |
|
|
|
629 | (2) |
|
|
`Pandemonium Manifestos' 1961-2 |
|
|
631 | (4) |
|
|
Interview with David Sylvester 1962--3 |
|
|
635 | (5) |
|
VC Art and Society |
|
640 | (53) |
|
`Open Opinions on Painting' 1942 |
|
|
640 | (1) |
|
|
from Marxism and Modern Art 1943 |
|
|
641 | (2) |
|
|
`The Modern Painter's World' 1944 |
|
|
643 | (3) |
|
|
|
646 | (2) |
|
|
`Why I Joined the Communist Party' 1944 |
|
|
648 | (1) |
|
|
Statement to Simone Tery 1945 |
|
|
648 | (1) |
|
|
|
649 | (3) |
|
|
`The White Manifesto' 1946 |
|
|
652 | (4) |
|
|
from `Aspects of Two Cultures' 1947 |
|
|
656 | (3) |
|
|
`The Question of What Will Emerge Is Left Open' 1947/8 |
|
|
659 | (1) |
|
|
|
Constant `Our Own Desires Build the Revolution' 1949 |
|
|
659 | (2) |
|
`Forms Conceived as Language' 1949 |
|
|
661 | (1) |
|
|
`The Painter on his Battlement' 1948 |
|
|
661 | (2) |
|
|
from the `Darmstadt Colloquy' 1950 |
|
|
663 | (2) |
|
|
|
from The Congressional Record 1949 |
|
|
665 | (3) |
|
|
from The Politics of Freedom 1950 |
|
|
668 | (2) |
|
|
`Is Modern Art Communistic?' 1952 |
|
|
670 | (4) |
|
|
`The Artist and the Politician' 1953 |
|
|
674 | (3) |
|
|
`The Sculptor in Modern Society' 1952 |
|
|
677 | (3) |
|
|
`Open Letter to the Painters, Sculptors and Engravers of the Soviet Union' 1955 |
|
|
680 | (3) |
|
|
`The Ideology of Modernism' 1956 |
|
|
683 | (10) |
|
VI The Moment of Modernism |
|
|
|
689 | (4) |
VIA Art and Modern Life |
|
693 | (69) |
|
|
693 | (5) |
|
|
|
698 | (3) |
|
|
Guy Debord Writings from the Situationist International 1957--61 |
|
|
701 | (6) |
|
`Detourned Painting' 1959 |
|
|
707 | (3) |
|
|
`On National Culture' 1959 |
|
|
710 | (5) |
|
|
`The Arts and the Mass Media' 1958 |
|
|
715 | (2) |
|
|
from Assemblages, Environments and Happenings 1959--65 |
|
|
717 | (5) |
|
|
|
722 | (2) |
|
|
|
724 | (1) |
|
|
GRAV (Groupe de Recherche d'Art Visuel) `Transforming the Current Situation of Plastic Art' 1961/2 |
|
|
725 | (2) |
|
`Neo-Dada in Music, Theater, Poetry, Art' 1962 |
|
|
727 | (2) |
|
|
`The Analysis of Culture' 1961 |
|
|
729 | (5) |
|
|
`On Robert Rauschenberg, Artist, and his Work' 1961 |
|
|
734 | (3) |
|
|
Interview with David Sylvester 1965 |
|
|
737 | (5) |
|
|
`For the Finest Art, Try Pop' 1961 |
|
|
742 | (1) |
|
|
from Documents from The Store 1961 |
|
|
743 | (4) |
|
|
Interview with Gene Swenson 1963 |
|
|
747 | (2) |
|
|
Lecture to the College Art Association 1964 |
|
|
749 | (2) |
|
|
from The Shape of Time 1962 |
|
|
751 | (3) |
|
|
from Understanding Media 1964 |
|
|
754 | (3) |
|
|
|
757 | (3) |
|
|
from an interview with Samuel Wagstaff Jr 1966 |
|
|
760 | (1) |
|
|
Obituary of Marcel Duchamp 1968 |
|
|
760 | (2) |
|
VIB Modernist Art |
|
762 | (56) |
|
|
762 | (4) |
|
|
`Tradition and Identity' 1959 |
|
|
766 | (1) |
|
|
|
767 | (4) |
|
|
`Remarks about Painting' 1961 |
|
|
771 | (2) |
|
|
`Modernist Painting' 1960--5 |
|
|
773 | (6) |
|
|
|
779 | (4) |
|
|
Interview with Dorothy Gees Seckler 1962 |
|
|
783 | (2) |
|
|
from `After Abstract Expressionism' 1962 |
|
|
785 | (2) |
|
|
from Three American Painters 1965 |
|
|
787 | (6) |
|
|
from `Shape as Form: Frank Stella's New Paintings' 1966 |
|
|
793 | (2) |
|
|
|
795 | (1) |
|
|
`A Matter of Meaning It' 1967 |
|
|
796 | (5) |
|
|
`Reflections on Sculpture' 1967 |
|
|
801 | (2) |
|
|
|
`The Work of Art as Object' 1970 |
|
|
803 | (15) |
|
VII Institutions and Objections |
|
|
|
813 | (5) |
VIIA Objecthood and Reductivism |
|
818 | (50) |
|
from `The Evolution of Art towards the Immaterial' 1959 |
|
|
818 | (2) |
|
|
`Preface to Stripe Painting' 1959 |
|
|
820 | (1) |
|
|
Pratt Institute Lecture 1959--60 |
|
|
820 | (1) |
|
|
|
821 | (3) |
|
|
|
824 | (4) |
|
|
`Notes on Sculpture 1--3' 1966--7 |
|
|
828 | (7) |
|
|
`Art and Objecthood' 1967 |
|
|
835 | (11) |
|
|
`Paragraphs on Conceptual Art' 1967 |
|
|
846 | (3) |
|
|
`Sentences on Conceptual Art' 1969 |
|
|
849 | (2) |
|
|
Interview with Arthur R. Rose 1969 |
|
|
851 | (1) |
|
|
`Art after Philosophy' 1969 |
|
|
852 | (9) |
|
|
|
861 | (1) |
|
|
|
|
|
|
861 | (7) |
|
VIIB Attitudes to Form |
|
868 | (45) |
|
|
868 | (5) |
|
|
|
|
873 | (4) |
|
|
`A Sedimentation of the Mind: Earth Projects' 1968 |
|
|
877 | (4) |
|
|
`Notes on Sculpture 4: Beyond Objects' 1969 |
|
|
881 | (4) |
|
|
Art & Language Editorial introduction to Art-Language 1969 |
|
|
885 | (6) |
|
`The Role of Language' 1969 |
|
|
891 | (2) |
|
|
|
|
893 | (1) |
|
|
`Situational Aesthetics' 1969 |
|
|
894 | (3) |
|
|
Sponsor's Statement for `When Attitudes become Form' 1969 |
|
|
897 | (1) |
|
|
|
897 | (3) |
|
|
Interview with Cindy Nemser |
|
|
900 | (3) |
|
|
`Not Just a Few Are Called, But Everyone' 1972 |
|
|
903 | (3) |
|
|
from `The Body as Language' 1974 |
|
|
906 | (4) |
|
|
Interview with Michele De Angelus 1980 |
|
|
910 | (3) |
|
VIIC Political Aspects |
|
913 | (31) |
|
`Appearance of the Supra-Sensorial' 1967/8 |
|
|
913 | (2) |
|
|
Presentation to an Open Hearing of the Art Workers' Coalition 1969 |
|
|
915 | (2) |
|
|
`Maintenance Art Manifesto' c.1969 |
|
|
917 | (2) |
|
|
`Interview with Ursula Meyer' 1969 and `Postface' 1973 |
|
|
919 | (3) |
|
|
Artforum from `The Artist and Politics: a Symposium' 1970 |
|
|
922 | (4) |
|
Art Worker's Coalition Statement of Demands 1970 |
|
|
926 | (1) |
|
Valie Export `Woman's Art' 1972 |
|
|
927 | (2) |
|
`I Am Searching for Field Character' 1974 |
|
|
929 | (1) |
|
|
|
930 | (1) |
|
|
`To be bien pensant...or not to be. To be blind' 1975 |
|
|
931 | (2) |
|
|
|
933 | (2) |
|
|
`The Art Market: Affluence and Degradation' 1975 |
|
|
935 | (3) |
|
|
from `Socialist Formalism' 1976 |
|
|
938 | (4) |
|
|
Art & Language Editorial to Art-Language 1976 |
|
|
942 | (2) |
VIID Critical Revisions |
|
944 | (74) |
|
from Of Grammatology 1967 |
|
|
944 | (5) |
|
|
`What is an Author?' 1969 |
|
|
949 | (4) |
|
|
from `Ideology and Ideological State Apparatuses' 1970 |
|
|
953 | (7) |
|
|
from `Postscript - 1969' 1970 |
|
|
960 | (5) |
|
|
|
965 | (5) |
|
|
`Cultural Confinement' 1972 |
|
|
970 | (1) |
|
|
from Other Criteria 1968--72 |
|
|
971 | (5) |
|
|
`A View of Modernism' 1972 |
|
|
976 | (3) |
|
|
`Ethic of Labour, Aesthetic of Play' 1973 |
|
|
979 | (3) |
|
|
from `Visual Pleasure and Narrative Cinema' 1973/5 |
|
|
982 | (7) |
|
|
|
989 | (5) |
|
|
`Notes on the Index, Part I' 1976/7 |
|
|
994 | (5) |
|
|
from `Reflections on the Brecht-Lukacs Debate' 1977 |
|
|
999 | (2) |
|
|
`Dominant, Residual and Emergent' 1977 |
|
|
1001 | (4) |
|
|
|
1005 | (13) |
|
VIII Ideas of the Postmodern |
|
|
|
1013 | (5) |
VIIIA The Critique of Originality |
|
1018 | (39) |
|
`The Hyper-realism of Simulation' 1976 |
|
|
1018 | (2) |
|
|
|
1020 | (5) |
|
|
from `The Allegorical Impulse' 1980 |
|
|
1025 | (7) |
|
|
from `The Originality of the Avant-Garde' 1981 |
|
|
1032 | (5) |
|
|
from `Subversive Signs' 1982 |
|
|
1037 | (1) |
|
|
|
1038 | (1) |
|
|
Art & Language `Letter to a Canadian Curator' 1982 |
|
|
1039 | (2) |
|
``Taking'' Pictures' 1982 |
|
|
1041 | (1) |
|
|
`Nature and Culture' 1983 |
|
|
1042 | (4) |
|
|
`The Deconstruction of Expression' 1984 |
|
|
1046 | (5) |
|
|
`From Criticism to Complicity' 1986 |
|
|
1051 | (3) |
|
|
|
|
|
|
|
Interview with Catherine Francblin 1986 |
|
|
1054 | (3) |
|
VIIIB Figures of Difference |
|
1057 | (60) |
|
from `Opponents, Audiences, Constituencies, and Community' 1981 |
|
|
1057 | (2) |
|
|
`Re-Viewing Modernist Criticism' 1981 |
|
|
1059 | (5) |
|
|
|
1064 | (1) |
|
|
|
1065 | (3) |
|
|
from `The Absence of Presence' 1984 |
|
|
1068 | (4) |
|
|
`Sexuality in the Field of Vision' 1984/5 |
|
|
1072 | (4) |
|
|
`The Work of Art and the Self-Reproduction of Art' 1984--6 |
|
|
1076 | (5) |
|
|
`Image and Word' and `Mute Poesy and Blind Painting' 1986 |
|
|
1081 | (4) |
|
|
`When was Modernism?' 1987/9 |
|
|
1085 | (3) |
|
|
Statements from an Interview with Donald Kuspit 1988 |
|
|
1088 | (2) |
|
|
`Private Irony and Liberal Hope' 1989 |
|
|
1090 | (2) |
|
|
`Who Claims Alterity?' 1989 |
|
|
1092 | (4) |
|
Gayatri Chakravorti Spivak |
|
|
from The Yale Lecture 1990 |
|
|
1096 | (3) |
|
|
`Dirty Toys: Mike Kelley Interviewed' 1991/2 |
|
|
1099 | (3) |
|
|
from B: interview with Jutta Koether 1991/4 |
|
|
1102 | (3) |
|
|
`Into the Future: Tourism, Language and Art' 1990/3 |
|
|
1105 | (5) |
|
|
On `hybridity' and `moving beyond' 1994 |
|
|
1110 | (7) |
|
VIIIC The Condition of History |
|
1117 | (71) |
|
from `Modernism and Capitalism' 1978 |
|
|
1117 | (5) |
|
|
Introduction to The Postmodern Condition 1979 |
|
|
1122 | (1) |
|
|
`Modernity - An Incomplete Project' 1980 |
|
|
1123 | (8) |
|
|
`What is Postmodernism?' 1982 |
|
|
1131 | (6) |
|
|
|
1137 | (2) |
|
|
from `...not about master-pieces but why there are so few of them' 1984 |
|
|
1139 | (4) |
|
|
from `The Cultural-Historical Tragedy of the European Continent' 1986 |
|
|
1143 | (4) |
|
|
|
|
|
from `Interview with Benjamin Buchloh' 1988 |
|
|
1147 | (10) |
|
|
|
1157 | (1) |
|
|
|
1158 | (4) |
|
|
`Which Side are You on, Cultural Worker?' 1990 |
|
|
1162 | (1) |
|
|
in conversation with Wilfred Dickhoff and Martin Prinzhorn 1991 |
|
|
1163 | (7) |
|
|
`In the ``Heart of Darkness''' 1993 |
|
|
1170 | (5) |
|
|
On installations 1994 and 2000 |
|
|
1175 | (5) |
|
|
Interview with Charles Merewether 1999 |
|
|
1180 | (3) |
|
|
`MoMA2000: The Capitulation' 2000 |
|
|
1183 | (5) |
|
Bibliography |
|
1188 | (24) |
Copyright acknowledgements |
|
1212 | (16) |
Index |
|
1228 | |