PART FOUR THE CLASSICAL ERA
100 Georg Matthias Monn (1717–1750): Symphony in B Major, first movement (ca. 1740)
101 Domenico Scarlatti (1685–1757): Sonata in D Major, K. 492 (ca. 1750?)
102 Johann Stamitz (1717–1757): Symphony in D Major, Op. 3, No. 2, first movement (ca. 1752–1755)
103 Johann Christian Bach (1735–1782): Sonata in D Major, Op. 5, No. 2, first movement (1766)
104 Carl Philipp Emanuel Bach (1714–1788): Fantasia in C minor, Wq. 63/6)
(1753)
105 Joseph Haydn (1732–1809): Piano Sonata in C minor, Hob. XVI:20, first movement (1771)
106 Haydn: String Quartet in C Major, Op. 33, No. 3 (1781)
107 Haydn:Symphony No. 103 in E<flat-sign>Major, first movement (1795)
108 Wolfgang Amadeus Mozart (1756–1791): Piano Concerto in D Major, K. 107, No. 1, first movement (1772)
109 Mozart : Piano Concerto in D minor, K. 466 first movement (1785)
110 Giovanni Battista Pergolesi (1710–1736): La serva padrona, “Lo conosco a quegl’ occhietti” (1733)
111 Christoph Willibald Gluck (1714–1787): Alceste, Act II, Scene 3 (excerpt) (1767; revised 1776)
112 Mozart:Don Giovanni, K. 527, Act I, Scenes 1–4 (1787)
113 Mozart:Requiem, K. 626, Introit and Kyrie (1791)
114 Johann Friedrich Reichardt (1752–1814): Italien (“Kennst du das Land”)(1795–1796)
115 William Billings(1746–1800): Africa(1770, 1778)
PART FIVE THE 19TH CENTURY 115
116 Ludwig van Beethoven (1770–1827): Symphony No. 3 in E<flat-sign> Major (“Eroica”), Op. 55 (1803)
116a First Movement
116b Second Movement (Marcia funebre)
117 Hector Berlioz (1803–1869): Symphonie fantastique, fifth movement (finale: “Dream of a Witches’ Sabbath”) (1830)
118 Felix Mendelssohn (1809–1847): Overture to A Midsummer Night’s Dream (1826)
119 Beethoven: Piano Concerto No. 4 in G Major, Op. 58, second movement (1806)
120 Beethoven: Piano Sonata in C Major, Op. 53 (“Waldstein”), first movement (1804)
121 Beethoven: String Quartet in B<flat-sign> Major, Op. 130 (excerpts) (1826)
122 Franz Schubert(1797–1828): Three Lieder
122a Erlkönig, D. 328 (1815)
122b Prometheus, D. 674 (1819)
122c Wanderers Nachtlied, D. 768 (1824)
123 Three Settings of Goethe’s Kennst du das Land
123a Schubert: Kennst du das Land (Mignons Gesang), D. 321 (1815)
123b Robert Schumann (1810–1856): Kennst du das Land (Mignon) (1849)
123c Hugo Wolf (1860–1903): Mignon (1888)
124 Stephen Foster(1826–1864): Beautiful Dreamer (1862)
125 Modeste Mussorgsky (1839–1881): V chetyrjokh stenakh (“In Four Walls”), from the song cycle Bez solnca (“Sunless”) (1874)
126 Fanny Mendelssohn Hensel (1805–1847): Trio in D minor, op. 11: third movement (Lied)
127 Frédéric Chopin (1810–1849): Mazurka in A minor, Op. 17, No. 4 (1833)
128 Chopin: Preludes, Op. 28, Nos. 1–4 (1839)
129 Chopin:Ballade No. 1 in G minor, Op. 23 (1835)
130 Franz Liszt (1811–1886): Galop de bal (ca. 1840)
131 Robert Schumann:Carnaval, Op. 9 (excerpts) (1835)
132 Liszt: Nuages gris (1881)
133 Niccolò Paganini (1782–1840): Caprices, Op. 1, No. 24, in A minor (ca. 1810)
134 Liszt:Etudes d’exécution transcendante, No. 1 in C Major (1838; revised 1851)
135 Louis Moreau Gottschalk(1829–1869): Union(1862)
136 Gioacchino Rossini (1792–1868): Il Barbiere di Siviglia (1816)
136a Act I, Scene 2, cavatina (Figaro):“Largo al factotum”
136b Act I, Scene 5, cavatina (Rosina):“Una voce poco fa”
137 Giuseppe Verdi (1813–1901): Rigoletto (1851)
137a Act I (excerpts)
137b Act III, Scene 3 (Quartetto: “Un dì, se ben rammentomi”)
138 Richard Wagner (1813–1883): Tristan und Isolde (1859)
138a Prelude
138b Act II: end of Scene 1 and beginning of Scene 2
139 William S. Gilbert (1836-1911)and Arthur Sullivan (1842–1900): The Pirates of Penzance, Act I (excerpt) (1879)
140 Clara Wieck Schumann (1819–1896): Vorwärts! (1848)
141 Anton Bruckner (1824–1896): Virga Jesse floruit (1885)
142 Johann Strauss, Jr. (1825–1899): An der schönen blauen Donau, Op. 314 (1867)
143 John Philip Sousa (1854–1932): Washington Post ( )
144 Peter Ilyich Tchaikovsky (1840–1893): Swan Lake( ) ( )
145 Johannes Brahms (1833–1897): Symphony No. 4 in E minor,Op. 98, fourth movement (1885)
146 Antonin Dvor¿aacute;k (1841–1904): Symphony No. 9 in E minor, Op. 95 (“From the New World”), second movement (1893)
147 Gustav Mahler (1860–1911): Symphony No. 1 in D Major, third movement (1888)
PART SIX THE 20TH CENTURY 404
148 Claude Debussy (1862–1918): Prélude à l’Après-midi d’un faune (1894)
149 Debussy:Préludes, Book 1:“Voiles” (1910)
150 Béla Bartók (1881–1945): Mikrokosmos, Book 4, No. 101: Diminished Fifth
(between 1932 and 1939)
151 Charles Ives (1874–1954): The Cage (1906)
152 Ives:The Things Our Fathers Loved (1917)
153 Igor Stravinsky (1882–1971): Le Sacre du printemps, excerpt (1913)
154 Bartók:Mikrokosmos, Book 6, No. 148: Six Dances in Bulgarian Rhythm,
No. 1 (between 1932 and 1939)
155 Heitor Villa-Lobos (1887-1959): Bachianas Brasileiras No. 4, fourth movement: Miudinho ( )
156 Henry Cowell (1897–1965): The Banshee (1925)
157 Arnold Schoenberg (1874–1951): Pierrot lunaire (1912)
157a No. 7,“Der kranke Mond” (“The Sick Moon”)
157b No. 14,“Die Kreuze” (“The Crosses”)
157c No. 21,“O alter Duft” (“O redolence of Old”)
158 Anton Webern (1883–1945): Five Pieces for String Quartet, Op. 5, No. 4 (1908)
159 Alban Berg (1885–1935): Wozzeck, Act I, Scene 1 (1925)
160 Schoenberg:Piano Suite, Op. 25 (1923)
160a Praeludium
160b Menuett
161 Berg:Lyric Suite, for String Quartet, third movement (1926)
162 Germaine Tailleferre : Concertino for Harp and Orchestra, finale
163 Kurt Weill (1900–1950): Aufstieg und Fall der Stadt Mahagonny, “Alabama Song” (1927)
164 Bartók:Music for Strings, Percussion, and Celesta, third movement (1936)
165 Sergei Prokofiev (1891-1953):Alexander Nevsky, Op. 78, No. 4:“Vstavaite, ludi russkie”
(“Arise, People of Russia”) (1938)
166a William H. Stepp (1875–1947): Bonaparte’s Retreat (traditional) (recorded 1937)
166b Aaron Copland (1900–1990): Rodeo: Hoe-down (1942)
167 Olivier Messiaen (1908–1992): Quatuor pour la fin du temps, first movement:“Liturgie de cristal” (1940)
168 Dmitri Shostakovich (1906–1975): String Quartet No. 8, third movement (1960)
169 Thomas Waller (1904–1943): Hot Chocolates:“Ain’t Misbehavin’” (1929)
170 Leonard Bernstein(1918–1990): West Side Story: Tonight “Quintet” (1957)
171 Krzysztof Penderecki (b. 1933): Threnody for the Victims of Hiroshima (1960)
172 Milton Babbitt (1916-2011): Three Compositions for Piano, No. 1 (1947)
173 Hugh Le Caine (1914–1977): Dripsody (1955)
174 Terry Riley (b. 1935): In C (1964)
175 Steve Reich (b. 1936): Nagoya Marimbas ( )
176 Thea Musgrave (b.1928): Orfeo II (excerpt) (1976)
177 Tania León (b.1943): A la Par (1986), second movement (“Guaguanco”)
178 Arvo Pärt (b. 1935): Seven Magnificat Antiphons (1988, 1991), No. 1 (“O Weisheit”)
179 Scott Joplin (1868–1917): Maple Leaf Rag (1899)
180 Debussy: Children’s Corner Suite, “Golliwog’s Cakewalk” (1908)
181 W. C. Handy (1873–1958): St. Louis Blues (1914)
182 George Gershwin (1898–1937): Prelude #2 (1926)
183 Cole Porter (1891–1964): Night and Day (1932)
184 Duke Ellington (1899–1974): Sophisticated Lady (1933)
185 Joe Oliver (1885–1938): Snake Rag (1923)
186 Duke Ellington (1899–1974): It Don’t Mean a Thing (If It Ain’t Got that Swing) (1930)
187 Miles Davis (1926–1991): Blue in Green (1959)
188 Earl Scruggs (b. 1924): Foggy Mountain Breakdown (1949)
189 Chuck Berry (b. 1926): Roll Over, Beethoven (1956)
190 (Omitted)
EPILOGUE: SINCE 2000
191 Corey Dargel (b. 1977) : “On This Date Every Year” from Every Day is the Same Day: A Song Cycle about Clinical Depression
192 Gabriela Lena Frank (b. 1972): Leyendas: An Andean Walkabout, fourth movement (“Chasqui”)
193 Lisa Bielawa: Double Violin Concerto, second movement (“Song”)